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Edward Steichen, Actress Gloria Swanson. 1924. Courtesy Condé Nast Archive © 1924 Condé Nast Publications
Edward Steichen, Actress Jetta Goudal wearing a satin gown by Lanvin. 1923. Courtesy Condé Nast Archive © 1923 Condé Nast Publications
Edward Steichen, Actress Anna May Wong. 1930. Courtesy Condé Nast Archive © 1930 Condé Nast Publications
Edward Steichen, Actress Mary Heberden. 1935. Courtesy Condé Nast Archive © 1935 Condé Nast Publications
Caroline Heider, 4 Models (Vogue 1928, Edward Steichen p. 32), 2005 © Caroline Heider / Bildrecht, Vienna


18.02.2015 – 24.05.2015


Edward Steichen (1879-1973) was already a famous painter and photographer on both sides of the Atlantic when, in early 1923, he was offered one of the most prestigious and certainly the most lucrative position in photography’s commercial domain – that of chief photographer for Condé Nast’s influential and highly regarded magazines Vogue and Vanity Fair. Summoning up his exceptional talents, and fired with prodigious enthusiasm, Steichen spent the next fifteen years showcasing the culture of that era and its most prominent exponents from the realms of literature, journalism, dance, sport, politics, theatre and film. It was for his images of haute couture, though, that Steichen remains best known.

Compared with his predecessors, Steichen accomplished a stylistic leap in fashion photography equal in magnitude to the transition from silent pictures to sound. He abandoned his artistic beginnings in photographic Impressionism, Art Nouveau and Symbolism to become – for those fifteen years, at least – the greatest photographer of Art Déco and the originator – no less – of glamour photography. In addition to stunning fashion photographs, from Worth and Poiret to Chanel and Schiaparelli, the Steichen archive at Condé Nast, New York, contains magnificent portraits – of Greta Garbo, Cecil B. DeMille, Winston Churchill, Marlene Dietrich, George Gershwin, Frank Lloyd Wright, Amelia Earhart, Walt Disney and hundreds of other celebrities.

Since the 1930s, however,  no more than a handful of these prints have been exhibited or published. The period represents the high point in Edward Steichen’s photographic career, and the work he did for Condé Nast’s influential magazines are among the most striking creations of twentieth-century photography.

An exhibition by the Foundation for the Exhibition of Photography Minneapolis/New York City/Paris/Lausanne, in cooperation with WestLicht. Schauplatz für Fotografie


Tue, Wed, Fri 2 - 7 pm; Thu 2 pm - 9 pm; Sat, Sun 11 am - 7 pm; Mon closed


18.02.2015, 7 pm > Lecture by co-curator William A. Ewing:
Edward Steichen. Right Man, Right Time, Right Place

05.03.2015, 7 pm
09.04.2015, 7 pm
13.05.2015 6 pm
>> more


Edward Steichen. In High Fashion
Edward Steichen. Lives in Photography